The browser-based production office for live music. Draw the stage once and the I/O list, backline, and customs manifest follow it. Add per-artist setlists and day sheets, share one live link, and export real documents. No installs.
14-day free trial. No credit card required.
Build the plot in the green room, clear the border with the manifest, hand FOH the I/O, and tape the setlist to the deck. One plot carries all of it.
A scaled, top-down canvas with 35+ assets across 12 categories. Grid and object snap, free rotation, rubber-band multi-select, and 60-step undo/redo.
Channels appear the moment you place gear. Stereo/mono renumbering, +48V phantom, row locking, drag-to-reorder, and catalog-backed mic picks.
Two clicks link wedges, sidefills, and IEM packs to shared output rows, with stereo pairing and unlink from the context menu.
Subsnakes in 12, 8, or 6 channels with A-3 style assignments, a patch matrix, visible open holes, free SND sends, and a routable DSP rack.
Gear rows suggested straight from the canvas, grouped by section with make, model, size, and quantity. Cloud presets on Pro.
Define a kit piece by piece, from kick to cymbals, each with its own mic or DI and stand. The I/O list and backline follow the build.
ATA Carnet General List and CBP 4457 documents seeded from the plot you already built, with catalog values and weights prefilled.
A per-artist song library, sectioned sets with drag reorder, big-type stage printing, and import from .docx or .pdf.
A per-show run sheet filed under the artist: event, date, and city, a roles contacts block, and time-stamped schedule rows. Print, export, or share a live link.
One URL that always shows the latest revision. Read-only, QR included, revocable any time. No re-sending PDFs.
Co-edit a plot with another Pro user, with a presence indicator and a newer-version guard before you overwrite a save.
Invite a music director to edit an artist's setlists and day sheets for free. They just need a free account, and they see your plots read-only.
Ten plus documents from one plot: stage plot, I/O, backline, manifest, setlist, and day sheet PDFs, CSVs, and print pages. Contacts auto-appear on each.
Feet or meters, 120V or 240V, US Letter or A4, desktop to phone. Works in any browser with offline auto-save. Nothing to install.
Build a top-down stage floor plan with real dimensions. Set stage width and depth in feet or meters, place elements anywhere with optional grid snap, and rotate freely to any angle.
| CH | Source | Type | Mic/DI | Stand | ||
|---|---|---|---|---|---|---|
| + | 1 | Kick In | Mic | Beta 91A | None | MONO +48V |
| + | 2 | Kick Out | Mic | Beta 52A | Short Boom | MONO +48V |
| + | 3 | Snare Up | Mic | SM57 | Short Boom | MONO +48V |
| + | 4 | Snare Down | Mic | SM57 | Short Boom | MONO +48V |
| + | 5 | Hat | Mic | SM81 | Tall Boom | MONO +48V |
| + | 6 | Tom 1 | Mic | MD421 | Clamp | MONO +48V |
| + | 7 | Tom 2 | Mic | MD421 | Clamp | MONO +48V |
| + | 8 | Floor | Mic | MD421 | Tall Boom | MONO +48V |
| + | 9 | OHL | Mic | KM184 | Tall Boom | MONO +48V |
| + | 10 | OHR | Mic | KM184 | Tall Boom | MONO +48V |
| + | 11 | Bass Amp | Mic | RE20 | Short Boom | MONO +48V |
| + | 12 | OPEN | None | |||
| + | 13-14 | Keys ST | Line | Radial J48 | None | ST +48V |
| + | 15 | Amp | Mic | SM57 | Tall Boom | MONO +48V |
| + | 16 | Amp | Mic | e906 | Tall Boom | MONO +48V |
| + | 17 | Vocal | Mic | SM58 | Straight Stand | MONO +48V |
| + | 18 | Vocal | Mic | SM58 | Tall Boom | MONO +48V |
| + | 19 | Vocal | Mic | Beta 58A | Straight Stand | MONO +48V |
| Outputs | ||||||
| + | M1 | Wedge Mon | Line | MONO | ||
| + | M2 | Wedge Mon | Line | MONO | ||
| + | M3 | Wedge Mon | Line | MONO | ||
| + | M4 | Wedge Mon | Line | MONO | ||
| + | M5 | Sidefill | Line | ST | ||
Every instrument you drop on the canvas adds its channels automatically. Then route them: subsnakes, sends, monitors, and DSP, all in the same view.
Place an amp or drum kit on the canvas and StageplotVision suggests a backline row automatically. Fill in make and model and the gear list writes itself. No separate spreadsheet.
Crossing into Canada or Mexico means handing a broker a gear manifest. Stop rebuilding it in a spreadsheet: seed it from your backline, I/O list, and canvas, then export the documents the border actually expects.
| No. | Trade description | Pcs | Kg | Value USD | Orig |
|---|---|---|---|---|---|
| 1 | Shure SM58 · S/N 11482K7 | 4 | 1.3 | 396 | MX |
| 2 | Radial J48 DI · NSN | 6 | 4.0 | 1,314 | CA |
| 3 | Ampeg SVT-CL · S/N 0KD8821 | 1 | 36.3 | 2,749 | US |
| 4 | Pearl Masters kick 22″ · NSN | 1 | 18.1 | 1,050 | JP |
| Totals | 12 | 59.7 | 5,509 |
A song library per artist, setlists built from it, and a print that reads from six feet away. The setlist finally lives with the rest of the show, not in a group chat.
Load-in to load-out, filed under the artist right next to the setlist. Contacts, schedule, and venue details on one sheet the whole crew can read from a phone.
| TM | Dana Reyes | 615-555-0148 |
| Production | Marcus Hall | 615-555-0172 |
| Venue PoC | Priya Anand | 615-555-0109 |
| Time | Item | Notes |
|---|---|---|
| 8:00a | Load-in | Dock B, ramp |
| 1:00p | Soundcheck | Band, then vocals |
| 6:30p | Doors | |
| 8:00p | Set | 90 min, no support |
| 10:30p | Load-out | Bus call 11:15p |
Share a live link to your plot instead of emailing a PDF that goes stale the moment you change a channel. And when one set of hands is not enough, bring in a second editor.
$6/month for 12 months, then $12/month. 14-day free trial, no credit card required.
No installs. No templates to fight with. Just open the app and start placing instruments.
Start 14-day free trialNo credit card required. Cancel any time.